It has been too long since we’ve added visuals of the many projects we have completed since our last post. Time has flown by. Many goings on with Steve and myself. I still work on private commissions but also took a post with St. Mary’s Catholic High School in Phoenix AZ. I am currently teaching Visual Arts, Ceramics, and Stained Glass to upper classmen. It is a great joy to pass on the skills and knowledge accumulated over decades as an artist to a younger generation. Giving youth an opportunity to create beauty in a not so beautiful world is a rewarding and edifying experience for all involved. Steve comes to the classroom periodically to discuss being a professional artist as well as demonstrating techniques to the students. Steve has been working on multiple projects during this time. Two of his more recent are the installation of two exquisite stained glass works of St. Rose of Lima and St. Patrick in the Adoration Chapel of Blessed Sacrament Parish in Scottsdale AZ AND Six 16 ft x 4ft stained glass panels of Saints for the St. Mary’s Chapel in Phoenix - St. Padre Pio; St. Gianna Beretta; St. John Paul II; St. Maximilian Kolbe; St. Faustina; St. Jose Sanchez del Rio.
RECLAIMED AND REPAIRED STAINED GLASS CIRCA EARLY 1900's
THE CONSTRUCTION PROCESS OF THE WINDOW
Painting the face and hands of Christ for St. Thomas the Apostle Stained Glass Window
Detail of Stained Glass Window "My Lord and My God" St. Thomas the Apostle Catholic Church, Phoenix, AZ
STAINED GLASS WINDOW COMPLETED AND INSTALLED
The 18 ft by 5 ft stained glass window commissioned by St. Thomas the Apostle Catholic Church has been completed and installed. Steve has developed a new process that incorporates old and new technologies to create this astounding work. The image depicted is of St. Thomas being invited by Christ to allay his doubts that He has risen by touching His wounds. The stained glass process is a tedious but rewarding one. The faces and hands, for instance, are "painted" on clear glass with ground glass powder that must be mixed with a liquid medium to apply. When the image is painted, the glass is then fired at intensely high temperatures in a kiln. The kiln takes 2-3 hours to heat up to the correct temperature. Then the wait begins for the kiln to cool. This takes place over 10 plus hours. When the kiln is cool enough to be opened, the glass is removed. If the medium mixed was too thin, the image will be burnt off. If the medium mixed was too thick, the painted areas will flake off in chunks. If either of these events happens, the process begins anew and the images need to be completely repainted. Colored glass has to be selected, cut, painted (i.e. shadows on folds). And then installed in metal frames. When the pieces have been assembled, the window has to be installed in its permanent location. This involves the use of hydrolic lifts and a myriad of tools and mostly patience.
STAINED GLASS
Steve has developed a process for stained glass that utilizes newer technology, but still maintains the beauty of this medium. A new project is underway. Look for posts documenting this exciting process as it unfolds.
Painting of St. Benedict in progress...
Here is a current image of the portrait of St. Benedict incorporating the landscape of Young, AZ as requested by the parishioners of St. Benedict Mission.